Plus, Page was not only a redoubtable riff machine, but a visionary producer who reimagined the rock album as a widescreen war epic. But his obsession with psychedelic-folk acts like The Incredible String Band yielded a deep well of tender acoustic serenades, and he swiftly outgrew the girl-done-me-wrong narratives of the blues to weave Tolkien-esque tales that presaged metal’s fascination with medieval mythology. But their thundering sound was always balanced by a disarming delicacy-best exemplified by the quiet-to-loud ascension of their perennial classic-rock-radio countdown winner, “Stairway to Heaven.” Sure, the group’s golden-god frontman, Robert Plant, possessed a shriek that could summon a fleet of rampaging Vikings (see: 1970’s “Immigrant Song”). If heaviness was Zeppelin’s only attribute, their place in rock history would still be assured. In Page’s hands, blues-based riffs became as wildly complex as his solos, while the rhythm section featured a drummer (John Bonham) whose kick-pedal could leave craters and a secret-weapon bassist (John Paul Jones) who served as the industrial-strength glue that held it all together. However, no other group wielded their might with such an authoritative sense of groove and grandeur. Formed by latter-day Yardbirds guitarist Jimmy Page in 1968 (originally as The New Yardbirds), the quartet were among a wave of bands taking the blues-based British Invasion sound in a louder direction. It wouldn’t be entirely accurate to say Led Zeppelin invented heavy metal.
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